INGRID SZABO

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WHY CONCEPTUAL WRITING?
WHY NOW?
This is a single edition publication newspaper that explores uncreative writing.  Typography is no longer “imprisoned" on paper. It consists of generative strategies, concrete poetry and a general experimental approach to editorial design.  

































Functioning based on two main design features: coloured card frames and selections of experimental typography, this newspaper provides a unique reading experience into the work of Kenneth Goldsmith ‘Why Conceptual Writing? Why Now?’.





Many experiments have been conducted in order to achieve a range of successful type manipulations. Many factors were left to chance as to emphasise on the idea of type coming alive - making its own decisions. Selectiveness was crucial.